September 13, 2018
KLEA McKENNA in QUIET LUNCH
By Kurt McVey
Her work, as she sees it, though aesthetically gorgeous, sensual and mysterious, is dependent on the idea that these things, the sinewy, ghostly photograms-a physical and yet metaphysical expression of these textiles-have something to say for themselves. “They’re not just dead matter.”
September 12, 2018
KLEA McKENNA: Generation
Gitterman Gallery is proud to present an exhibition of contemporary work by Klea McKenna. The exhibition opens on Wednesday, September 12th from 6–8 p.m. and continues through Saturday, November 10th.
This exhibition marks her first solo show in New York and the beginning of her representation by Gitterman Gallery. It is presented in association with Von Lintel Gallery in Los Angeles where McKenna will have a concurrent exhibition from September 7th through October 20th.
The exhibition presents McKenna's most recent work Generation alongside work from two of her previous series Automatic Earth and Web Studies. With each series, McKenna uses the photogram process innovatively to create unique gelatin silver prints that contain both vivid detail and ethereal abstraction. She pays homage to her subject's histories while re-animating them through her engagement, revealing nuance, depth and energy.
June 22, 2018
JOSEPH SZABO in THE NEW YORKER
Three Decades of Lifeguards at New York’s Jones Beach
By Andrea DenHoed
An avid chronicler of American youth, Szabo began taking pictures at Jones Beach in 1960, and returned year after year to capture the diverse human menagerie that gathers every summer: the evolving styles of swimsuits, the near-naked bodies in their limitless variety, the jubilance and intimacy of a day at the beach. Floating above it all, in Szabo’s scenes, is the figure of the lifeguard, on a high perch, upright and vigilant amid the languid bodies and umbrellas below. Sometimes they are a taken-for-granted part of the landscape, their chairs blending into a wide-angle view of the crowd; sometimes they’re godlike, on a literal pedestal and shot from the ground.
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June 8, 2018
JOSEPH SZABO in THE NEW YORK TIMES
‘Baywatch’ Gets Its Game Face On
By John Leland
Joseph Szabo photographed the lifeguards at Jones Beach for 25 years. He saw things that most of us never will.
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May 8, 2018
KHALIK ALLAH in COLLECTOR DAILY
By Loring Knoblauch
The durable power in Allah’s portraits lies in his unflinching willingness to connect, to take the risk of engaging with someone who may at first be rightfully fearful or defensive.
April 28, 2018
PICTURE FICTION:
Kenneth Josephson
and Contemporary Photography
April 28–December 30, 2018
MUSEUM OF CONTEMPORARY ART, CHICAGO
April 26, 2018
KHALIK ALLAH in THE NEW YORK TIMES
10 Galleries to Visit Now on the Upper East Side
By MARTHA SCHWENDENER
The Art Deco Fuller Building at 41 East 57th Street has historically been an art gallery hive. One of its tenants is Gitterman, a gallery devoted to photography and now showing the work of Khalik Allah, a young filmmaker and photographer
April 3, 2018
KHALIK ALLAH in THE FILM STAGE
New Directors/New Films 2018 Review by Jason Ooi
In just two films, he has developed and honed his incomparable style, providing the festival, and the documentary form itself, with one of the most memorable, intense experiences in recent memory.
March 28, 2018
KHALIK ALLAH in THE NEW YORK TIMES
BLACK MOTHER selected as one of
11 Movies You Need to Know at New Directors/New Films by A.O. Scott
Gliding from color to black and white, from digital to analog, from grim realism to spiritual ecstasy, the film offers a song of praise to the island of Jamaica and a reckoning with its painful history and hard-pressed present. Mr. Allah gathers a rich blend of voices, faces and natural wonders, a kaleidoscope in which shards of violence and poverty commingle with glimmers of dignity and resilience.
link to article