The New Yorker
November 3, 2008
The work that sealed his cult reputation was made in the thirties and forties, and these vintage prints from that period are superb.
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Josef Breitenbach
DLK Collection
October 13, 2008
At a time when there wasn't much color in photography, Breitenbach was experimenting with bleaching and toning to get acidic yellows, oranges, reds and browns, which he used to highlight and accent his otherwise traditional gelatin silver images.
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