September 20, 2016
HENRY HOLMES SMITH exhbition revieved in COLLECTOR DAILY by Richard B. Woodward.
This sample of 29 prints is therefore welcome and timely. The experimental spirit that he encouraged in his writings is more in synch with the zeitgeist than perhaps at any time since the late ‘60s-early ‘70s. Mariah Robertson and Matthew Brandt are only two of the many younger artists whose color pictures wouldn’t look out of place next to his.Read More >>
July 20, 2016
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FERENC BERKO exhibition reviewed in PHOTOGRAPH by Ratik Asokan.
Just as the Cubists set about reducing the world to its constituent geometric shapes, Berko used his camera to uncover, as he put it, “the shape…the pattern, the form” that lay behind what the rest of us perceive as a muddled and complex reality.
July 11, 2016
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FERENC BERKO exhibition reviewed in THE NEW YORKER by Vince Aletti.
Displaced by the war in the thirties, Berko travelled to London, Barcelona, and Paris (where his work showed the influence of Henri Cartier-Bresson) and also to India, where some of the best pictures in this show were taken. His most distinctive images capture no place at all: they’re studies in texture, pattern, and form.