May 4, 2016
KENNETH JOSEPHSON exhibtion reviewed in COLLECTOR DAILY by Richard B. Woodward.
His photographs of photographs, exemplified by his series, Images within Images and History of Photography, are often called up for duty when curators want to include still photographs in telling the story of Conceptual art.
Rather than highlight that heralded work alone, the present show, a core sample from the first half (1956-80) of his career, chooses to demonstrate the sterling craftsmanship that has marked Josephson’s work even at its brainiest.
April 29, 2016
KENNETH JOSEPHSON exhibition selected as a Critic's Pick in ARTFORUM.
Multiple exposures, collages, time lapses, and doctored colors: Since he began working in the late 1950s–early ’60s, Josephson has used just about every available technique to question our accepted notions of reality.
April 20, 2016
KENNETH JOSEPHSON on THE NEW YORK TIMES LENS BLOG.
Consider Kenneth Josephson: He was a pioneer in conceptual photography and is well-regarded in the history of medium. Yet at 83 years of age, he isn’t widely known to the general public. Fortunately, he seems to be having a late-career moment, with the release of a massive monograph, "The Light of Coincidence: The Photographs of Kenneth Josephson," from the University of Texas Press, and a solo exhibition at Gitterman Gallery in New York City, which runs until June 11.
April 15, 2016
KENNETH JOSEPHSON show reviewed in THE WALL STREET JOURNAL by William Meyers.
Kenneth Josephson (b. 1932) studied at the Institute of Design, the Chicago school founded by László Moholy-Nagy, with teachers known for their radical experimentation, Harry Callahan and Aaron Siskind.
April 4, 2016
KENNETH JOSEPHSON on PDN.
Taste in photography has gone through a couple of revolutions during the more than 50 years that Kenneth Josephson has been making photographs. Often labeled as a pioneer of conceptual photography, his work spans several genres, from early street studies that transformed Chicago under the El into abstract studies of light and dark, to pictures that use humor to question photography’s claims to depicting reality.
March 17, 2016
JEAN-PIERRE SUDRE show reviewed in COLLECTOR DAILY by Loring Knoblauch.
This survey show of the work of Jean-Pierre Sudre does just that – it reintroduces superlative examples of Sudre’s mordançage process and then places them in the larger context of the aesthetic choices he made during his artistic career. It’s an exhibit that gives us both the “what” of the innovative and obscure process and then surrounds it with the “why” of the evolving artistic intent.