April 8, 2015
WILLIAM LARSON, April 29 - July 2, 2015
William Larson's Fireflies series (1969–1978) were some of the earliest digitally generated works of art. Larson utilized a technology new to the time to present a dynamic way of image making that extended the vocabulary of montage.
March 26, 2015
ELIOT ELISOFON profiled on LIFE website by Krystal Grow.
As sensitive to light, texture and composition as he was to urban decay and social injustice, Elisofon’s early work was a combination of modern art and photojournalism, a blend that evolved over his lengthy career and positioned him as a versatile shooter.
March 16, 2015
ELIOT ELISOFON exhibition reviewed in THE NEW YORKER by Vince Aletti.
But the show’s over-all focus is broader, including New York streetscapes from the thirties, as evocative as anything by Berenice Abbott, and charming images of children at play that would pair nicely with those by Helen Levitt.
February 19, 2015
ELIOT ELISOFON exhibition reviewed in THE WALL STREET JOURNAL by William Meyers.
There is a reason Life magazine dominated the market for more than 40 years: It had great picture stories. Eliot Elisofon (1911-1973) was a Life photojournalist for almost 30 years, covering such diverse stories as Gen. George S. Patton’s campaign in North Africa and Ella Fitzgerald’s birthday.
February 5, 2015
ELIOT ELISOFON exhibition reviewed in THE NEW YORK TIMES: METROPOLITAN SECTION and
THE NEW YORK TIMES: LENS BLOG by John Leland.
The quiet stillness of Eliot Elisofon’s pictures of New York can be deceiving. Mr. Elisofon, who
died in 1973 at age 61, was neither quiet nor still.
January 19, 2015
EDMUND TESKE exhibition reviewed in PHOTOGRAPH MAGAZINE by Jean Dykstra.
Edmund Teske’s photographs seem to exist outside of any standard chronology. They include otherworldly, almost Victorian studies as well as portraits of such public figures as The Doors’ Jim Morrison.
December 29, 2014
EDMUND TESKE exhibition reviewed in THE NEW YORKER by Vince Aletti.
Always on the verge of being rediscovered, the idiosyncratic American photographer (who died in 1996) may be too sincere to come back into fashion, but his experimental approach should appeal to photography’s boundary-busting avant-garde.
November 19, 2014
LOIS CONNER'S exhibition at M97 in Shangahi reviewed in GLOBAL TIMES by Yang Fan.
"I don't think I would have been able to experience that kind of transition in any other country during my lifetime. It was very rapid. What I'm trying to reveal through photography in a deliberate yet subtle way is a sense of history. I would like my photographs to describe my relationship between the tangible and the imagined, between fact and fiction."